- Download Free Hero Flute Original Mp3 Ringtone Ringtones, Top Ringtones Of All Time.
- Welcome to indianflutemusic.com, your gateway to the classical music of northern India. My name is Kerry Kriger. In 1996 I began my quest to learn bamboo.
- Film Songs Based on Classical Ragas (7) – Desh and Tilak Kamod. March 16, 2013.
A round-up of Hindi film songs based on classical ragas. Notes and Sargam Find musical notations in saregama form of songs and tunes for playing on flute, harmonium, and other instruments. Sun Raha Hai Na Tu Female Version Song Karaoke Download In Original Quality Of Film Aashiqui 2.Sung By Shreya Ghoshal.Download Karaoke Of Song Sun Raha Hai Na.
Best film songs based on classical ragas. Guest article by Subodh Agrawal(My friend Subodh Agrawal is a great music lover and a keen follower of my blog. He once suggested I write on films songs based on classical ragas. This was already in my mind, but then I realised Subodh is much better equipped to do it. I am grateful that he accepted my request to do a guest series of articles on this theme. This curtain raiser showcasing his favourite 1.
I am sure there are many more to come from his pen. He bounced it back to me, thanks to some pretensions I have of knowing something about classical music. I have accepted the commission with some reluctance, being well aware of how little I actually know about it. I had first thought of doing a list like . I may yet get around to doing that for the major ragas music directors of Hindi film industry love – likes of Bhairavi, Yaman, Malkauns, Darbari, Pilu etc. What I have chosen to do now is to list ten iconic songs based on classical ragas that don’t have such large repertoires of film songs. Years back when I was flirting with classical music and trying to get a feel for different ragas, these songs were used by my friend and teacher Pankaj Sharan to help me get that feel.
Raga Jaijaiwanti: Manmohana bade jhoothe by Lata Mangeshkar from Seema (1. Shailendra, music Shankar Jaikishan. The first of these iconic songs is Manmohna bade jhoote from Seema.
Raga Jaijaiwanti is easy to recognize – thanks to its pakad or catch- phrase – rising from ni, just touching ga and then coming to rest on re: the final . This movement gives this raga a nice teasing quality – which has been put to good use by Shankar Jaikishan in this song that combines bhakti and shringar rasas: The original composition of Ram Dhun is in raga Jaijaiwanti. The popular version misses out most of the nuances of the raga, but this rendering by Pandit DV Paluskar is an excellent presentation: 2.
Raga Bageshree: Radha na bole na bole re by Lata Mangeshkar from Azad (1. Rajendra Krishna, music C Ramchandra. I had a tough time choosing between Jaag dard- e ishq jaag and Radha na bole na bole re as my iconic song for Bageshree. Ultimately I have opted for the latter, as it stays closer to the standard format of the raga. In any case, this was the song my friend used to help me into the nuances of this raga.
A treat for those fans of Songs of Yore who missed it in AK’s post on C Ramachandra: Like most great ragas Bageshree can be used to express a variety of moods. The song above presents its playful mood. The classical piece below shows what this raga can do to express yearning and pathos. Malini Rajurkar sings a composition that was made famous by the late Kumar Gandharva: 3. Raga Bhimpalasi: Beena madhur mdhur kachhu bol by Saraswati Rane from Ram Rajya (1. Ramesh Gupta, music Shankarrao Vyas. I have often wondered why raga Bhimpalasi has such a martial and masculine name, because it is one of the sweetest sounding ragas.
My friend had used E ri main to prem diwani to introduce me to this raga, but then I discovered Beena madhur madhur kachhu bol by Saraswati Rane for Ramrajya in his collection of old 7. According to Wikipedia Saraswati Rane was born as Sakina, daughter of legendary Ustad Abdul Karim Khan– doyen of the Kirana Gharana. Her mother Tarabai later separated from Ustad ji and reverted to Hindu names for her children. Her brother Sureshbabu Mane and sister Hirabai Barodekar also distinguished themselves in classical music.
So here it is – one of the most haunting melodies from the golden era: Now you may want to hear Ustad Abdul Karim Khan himself render the same raga: 4. Raga Bhopali: Jyoti kalash chhalke by Lata Mangeshkar from Bhabhi Ki Chudyan (1. Narendra Sharma, music Sudhir Phadke. Bhopali is a subset of my favourite raga Yaman. It is essentially Yaman without the fourth and seventh note. Doing so takes away some of the gravity of Yaman and retains a feeling of pure joy.
Another raga from the same family – Shudh Kalyan – omits these two notes in ascending movements, and includes them in descending ones and the mood falls somewhere between Bhopali and Yaman. Pandit Omkar Nath Thakur, in fact, didn’t like the name Shudh Kalyan and insisted on calling it Bhoop Kalyan. For me the iconic composition in Bhopali is the famous Jyoti kalash chhalke composed by Sudhir Phadke from Bhabhi ki Chudiyan: I was with a lot of Maharashtrian friends when I was learning the rudiments of classical music. They introduced me to Ghanashyam Sundara from the 1. Marathi film Amar Bhupali. Some of them claimed that this song was the inspiration for Jyoti Kalash Chaalke. Listen to the song and make your own judgment: Ghanshaym sundara sindura by Panditrao Nagarkar and Lata Mangeshkar from Amar Bhupali (1.
Vasant Desai. 5. Raga Hameer: Madhuban mein Radhika nachee re by Mohammad Rafi from Kohinoor (1. Shakeel Badayuni, music Naushad. Raga Hameer was introduced to the masses by Madhuban mein Radhika nachi re.
It remains to this day the most complete and authentic presentation of this raga in film music. Let the song speak for itself: Years back, long before I developed an ear for classical music, I had read an article in a magazine on Khansaheb Bade Ghulam Ali Khan. A line remained in my mind – . I couldn’t find a recording of Khansaheb’s Hameer in the days of vinyl records and tapes.
Internet has proved more resourceful: 6. Raga Hamsadhwani: Ja tose nahin bolun Kanhaiya by Manna Dey and Lata Mangeshkar from Parivaar (1. Shailenra, music Salil Chaudhary. Now a raga from the South. Hamsadhwani is very popular in Carnatic music and I understand no concert in the South is complete without a rendition of the famous composition Vaathapi Ganapathim, which was adapted in the film Parivar as Ja tose nahin bolun kanhaiya. Hamsadhwani was a favourite raga of Ustad Ameer Khan and he did a lot to popularize it in the North. Here is a tarana by him in this raga: 7.
Raga Kalawati: Kahe tarsaye jiyara by Usha Mangeshkar and Asha Bhosle from Chitralekha (1. Sahir Ludhiyanvi, music Roshan. Another raga from the south – Kalawati. Kahe tarsaye jiyara is the iconic composition in this raga; though another famous one is Koi sagar dil ko behlata nahin. I am presenting the former, as to me it captures the mood of the raga much better (Koi Sagar has some elements of Janasammohini in it). Roshan has done a great job – as always: A little change in the structure of Kalawati – addition of .
I wish to share with you here is a Shabad from Gurbani in Kalawati – Re man aiso kar sanyasa. This recording is in the voice of Asha Bhosle, as taken for the Punjabi Film Nanak naam jahaaz hai. One of the most appealing aspects of Sikhism for a non- Sikh is the quality of Sikh devotional music. I have to thank my colleague KBS Sidhu for posting the link on Facebook: 8. Raga Gaud Malhar: Garjat barsat saawan ayo re by Suman Kalyanpur and Kamal Barot from Barsaat Ki Raat (1. Sahir Ludhiyanavi, music Roshan. Malhar has spawned many variants.
The most well known is Miyan ki Malhar. I learnt only recently that Miyan ki Malhar is not the original Malhar, but a variant evolved by Tansen. Today when one simply says Malhar one means Miyan ki Malhar. The original Malhar is now known as Shudh Malhar.
There are very few recordings in it. There are many others – Des Malhar, Gaud Malhar, Ramdasi Malhar etc. Gaud Malhar has two famous songs that sound practically the same – Garjat barsat saawan aayo re from Barsaat ki Raat, and Garjat barsat bheejat aayi lo from Malhar – both composed by Roshan. The ghazal Jurm- e ulfat pe hamein log sazaa dete hain from Tajmahal is also supposed to be based on Gaud Malhar, though I confess I couldn’t identify the raga on hearing it. It sounded more like Chhayanat to me, with some extra notes thrown in. Here, anyway, is the song from Barsaat ki Raat: Now listen to Pandit Jasraj present the same raga: 9. Raga Kedar: Darshan do Ghnashyam by Hemant Kumar, Mana Dey and Sudha Malhotra from Narsi Bhagat (1.
Gopal Singh . The iconic song is Darshan do Ghanshyam form Narsi Bhagat. Other songs in this raga are Hamko man ki shakti dena from Guddi and Main pagal mera manwa pagal by Talat Mahmood from Ashiana. None of the others, however, come close to Darshan do Ghanshyam with the voices of Hemant Kumar, Sudha Malhotra and Manna Dey beautifully complementing each other: Of the classical recordings I found on Youtube this one by Ustad Rashid Khan sounded best to me: 1. Raga Ahir Bhairav: Poochho na kaise meine rain bitayee by Manna Dey from Meri Surat Teri Aankhen (1.
Shailendra,music SD Burman. Earlier I remarked on the name of Bhimpalasi and the mismatch between its mood and its name.
There is no such mismatch for Bhairav. The mood of the raga in its pure classical form is very much what its name suggests – ponderous, somber and overpowering.
Think of Raat bhar ka hai mehmaan andhera – although some websites suggest that it is not Bhairav but Jogiya. Music directors have, however, used Bhairav to create some serene and pleasing compositions like Jago mohan pyare from Jaagte raho, and Man re hari ke gun ga from Musafir, by taking some liberties with its movement. Among Bhairav’s variants Bairagi Bhairav is what its name suggests. Nat Bhairav can actually be joyful.
Ahir Bhairav, on the other hand, can be very poignant as Poochho na kaise maine rain bitayee from Meri Surat Teri Aankhen amply proves. A strong contender for the title of the best Raga based song from films: Sanjeev Abhyankar started off by modeling himself on Pandit Jasraj, but now he has evolved his own distinctive style. Here is his rendition of Ahir Bhairav. It sounds beautiful in his rich sonorous voice: That brings me to the end of this list. This is the first time I have written something – other than notes on official files – that was meant to be read by others. If you like it please thank AK for motivating me.
One more thing: while searching for classical pieces on Bhopali I came across this recording on Youtube by Ustad Sayeeduddin Dagar.
List of Nepalese films - Wikipedia. Despite of short film history, the Nepali film industry has its own place in the cultural heritage of the country. Most Nepali films are narrative, and are shot on 1. The film industry is also known as Kallywood. The first Nepali- language movie made in Nepal was Aama, which was released in 1.
Nepalese government. However, the first Nepali- language movie made by the Nepalese private sector was Maitighar, which starred Mala Sinha and was released in 1. The first color Nepali- language movie was Kumari. Govt of Nepal. 19.
Maitighar. Mala Sinha, C. P. Thapa. Sumonanjali Films Pvt. Ltd. Jaidev. 19. 67. Hijo, Aaja, Bholi. Mitra Lal Sharma, Bhuvan Chand. Heera Singh Khatri.
Information Dept. Govt of Nepal. 19. Parivartan (Change)Heera Singh Khatri. Information Dept. Govt of Nepal. 19. Mann Ko Bandh. Salyan K.
C., Sushma Shahi. Prakash Thapa. Royal Nepal Film Corporation. Nati Kaji, Shiva Shankar. Kumari. Biswa Basnet, Chaitya Devi. Prem Bahadur Basnet. Royal Nepal Film Corporation.
Paral Ko Aago. Tanka Sharma, Susmita Dhakal, Basundhara Bhusal (debut)Pratap Subba. Cineroma. Shanti Thatal. Year. Film. Artists.
Director. Producer. Music composer. Editor. Sindoor. Meenaxi Anand, Biswa Basnet, Neer Shah. Prakash Thapa. Royal Nepal Film Corporation.
Jeevan Rekha (Life Line)Meenaxi Anand, Shiv Shrestha (debut)1. Bansuri (Flute)Rakesh Pandey, Rajani Sharma, Tanka Sharma, Biswa Hingmang.
Tulsi Ghimire. Mohan Kumar Bannerjee. Ranjit Gazmer. 19. Juni (Incarnation)Bhuwan K. C. Thapa. Bhagawan Das Shrestha. Gopal Yonzon. 19. Adarsha Nari. Bijaya Lama, Ujwal Ghimire, Amsumala Shahi, Punam Lama. Hem Lama. Hem Lama.
Madan Pariyar. 19. Ke Ghar Ke Dera (What's Home, What's Tenancy)Puran Joshi (debut), Sharmila Malla, Madan Krishna Shrestha, Hari Bansha Acharya, Kristi Mainali (debut)Pradeep Rimal. Kusume Rumal (Scarlet Handkerchief)Bhuwan K. C., Trupti Totlani Narodkar, Udit Narayan (debut)Tulsi Ghimire.
Sayapatri Films. Ranjit Gazmer. Basudev. Krishna Malla (debut), Sharmila Malla, Madan Krishna Shrestha, Hari Bansha Acharya, Neer Shah, Harihar Sharma. Neer Shah. Ranjit Gazmer.
Biswas (Faith)Shiv Shrestha, Roshi Karki, Rajshri Chhetri. Chetan Karki. Royal Nepal Film Corporation. Gopal Yonzon. 19. Saino (Relation)Bhuwan K. C., Trupti Totlani Narodkar, Danny Denzongpa, Raksha Mark. Ugyen Chopel. Triple Jem Movies.
Ranjit Gazmer. 19. Anyay (Injustice)Meera Madhuri (debut), Biswa Basnet, Prakash Adhikari (debut)Tulsi Ghimire. Sagarmatha Movietone. Ranjit Gazmer. 19.
Jhodaa. Barun Kawasi. Kusulata Interprises.
Ranjit Gazmer. 19. Maya Preeti (Love and Affection)Ravindra Khadka, Sharmila Malla, Krishna Malla.
Chetan Karki. Shanti Films. Gopal Yonzon. 19.
Sahas (Courage)Shiv Shrestha. Trishakti Films. Madan Pariyar. Behuli (The Bride)Sunita Khadka, Prakash Adhikari. Shambhu Pradhan. Ishwari Films. Ranjit Gazmer. 19. Bhagya Rekha (Line of Fate)Rabindra Khadka, Mausami Malla. Deepak Rayamajhi.
Surya Binayek Films. Norbu Tshering. 19. Santaan (Offspring)Bhuwan K. C., Arjun Jung Shahi (debut), Ujwal Ghimire, Karishma Manandhar (debut), Gauri Malla (debut), Shanti Maskey, Kristi Mainali. Prakash Thapa. Om Productions, Royal Nepal Film Corporation. Manohari Singh. 19.
Lahure (The Armyman)Shrawan Ghimire, Trupti Totlanii Narodkar. Tulsi Ghimire. Kanchanjungha Films. Ranjit Gazmer. Year. Film. Artists. Director. Producer. Music composer. Editor. 19. 90. Mayalu (Beloved)Bhuwan K. C., Karishma Manandhar.
Shambhu Pradhan. Sayapatri Films. Ranjit Gazmer. 19.
Cheli Beti (Girls/Daughters)Gauri Malla, Sharmila Malla, Arjun Jung Sahi, Mithila Sharma. Yadav Kharel. Udaya Films. Sambhujeet Baskota. Pheri Bhetaula (We Shall Meet Again)Manisha Koirala, Prakash Adhikari. Phurpa Chiring Gurung. Himchuli Films. Ranjit Gazmer.
Tilhari. Bhuwan K. C., Mausami Malla, Kristi Mainali.
Sayapatri Films. Jeevan Adhikari. Bijaya Parajaya (Victory- Defeat)Bhuwan K. C., Saroj Khanal, Rupa Rana. Rajendra Shalabh.
Chino (Souvenir)Bhuwan K. C., Shiv Shrestha, Kristi Mainali, Sharmila Malla, Subhadra Adhikari, Sinaura Mistry, Anoop Malla and Sushila Raymajhi. Tulsi Ghimire. Om Trinetra Production. Ranjit Gazmer. 19. Chot (Wound)Saroj Khanal, Rupa Rana, Gauri Malla. Subodh Kumar Pokharel. Lobhi Paapi (Greedy Sinner)Gauri Malla, Madan Krishna Shrestha, Hari Bansha Acharya.
Yadav Kharel. Creative Movies. Sambhujeet Baskota. The Friend. Sanjay Pradhan. Kanyadan. Gauri Malla, Bhuwan K. C. Prakash. Samjhana Films.
Manohari Singh. 19. Sampati (Property)Mausami Malla, Arjun Shrestha. Shambhu Pradhan. Ishwari Films. Ranjit Gazmer. 19.
Trishna (Thirst)Bhuwan K. C., Rupa Rana, Muralidhar. Ugyen Chopel. Aarati Films.
Ranjit Gazmer. 19. Yug Dekhi Yug Samma (From Era to Era)Rajesh Hamal (debut), Kristi Mainali. Deepak Rayamajhi. Kashi Prasad Shrestha.
Sambhujeet Baskota. Arpan (Offering)Arjun Shrestha, Bhuwan K. C., Kristi Mainali. Rajkumar Sharma. Sayapatri Films. Bhupendra Rayamajhi. Arunima. Saroj Khanal, Kristi Mainali, Karishma Manandhar, Arjun Shrestha, Mausami Malla.
Mahendra Bhakta Shrestha. Chokho Maaya (Pure Love)Saroj Khanal, Kristi Mainali, Bijaya Lama. Raj Bikram Shah. Sagun Films.
Shakti Ballav. 19. Dui Thopa Aansoo (Two Drops of Tears)Bhuwan K. C., Shrawan Ghimire, Anuradha Sawant.
Tulsi Ghimire. Ranjit Gazmer. Kastoori (Musk)Karishma Manandhar. Kiran Pradhan. Binod Manandhar. Maya (Love)Bhuwan K. C., Puran Joshi, Nabina Shrestha, Mausami Malla, Mithila Sharma. Pradeep Rimal. 19. Bhauju (Sister in Law)Rajesh Hamal, Karishma, Nir Shah, Karishma Manandhar.
Rajendra Shalav. Shankar Films. Subodh Shreedhar. Tapasya (Prayer)Saroj Khanal, Gauri Malla, Beena Basnet, Karishma Manandhar.
Narayan Puri. Roshana Films. Subodh Shreedhar. Aandhi Beri (The Storm)Gauri Malla.
Yadav Kharel. 19. Adhikar (The Right)Rajesh Hamal, Kristi Mainali, Mithila Sharma. Prakash Thapa. 19. Jhuma. Mausami Malla, Arjun Shrestha.
Pradeep Upadhay. 19. Koseli (The Gift)Trupti Totlani Narodkar, Krishna Malla, Bharati Ghimire, Shrawan Ghimire, Bijaya Lama. Tulsi Ghimire. Ranjit Gazmer. Manakamana (A Heart's Desire)Shiv Shrestha, Karishma Manandhar. Subodh Kumar Pokharel. Milan (Meeting)Shiv Shrestha, Karishma Manandhar, Melina Manandhar.
Laxminath Sharma. Subodh Kumar Pokharel. Sambhujeet Baskota. Subodh Shreedhar.
Priyasi (Girlfriend)Melina Manandhar (debut), Kiran Pratap K. C. Deepak Rayamajhi. Sambhujeet Baskota. Sankalpa (Decision)Bhuwan K. C., Krishna Malla, Sharmila Malla, Kristi Mainali, Shiv Shrestha. Shyam Rai. Om Shiv Shakti Films. Sambhujeet Baskota.
Bhauju (Sister- in- Law)Rajesh Hamal, Karishma Manandhar. Rajendra Shalabh.
Sambhujeet Baskota. Subodh Shreedhar.
Deuki. Rajesh Hamal, Mausami Malla. Banni Pradhan. 19. Deuta (God)Rajesh Hamal, Srijana Basnet (debut), Shrawan Ghimire. Tulsi Ghimire. Ranjit Gazmer.
Chatyang (Lightning)Rajesh Hamal, Gauri Malla. Pratap Subba. 19. Kasam (The Promise)Rajesh Hamal, Kristi Mainali, Mausami Malla. Deepak Rayamajhi. Naata (Relation)Bhuwan K. C., Gauri Malla, Shree Krishna Shrestha, Ashok Sharma. Biswa Banet. Subodh Shreedhar.
Sapana (Dream)Bhuwan K. C., Shiv Shrestha, Karishma Manandhar, Mausami Malla. Sambhu Pradhan. 19.
Aparadh (Crime)Rajesh Hamal, Kristi Mainali, Melina Manandhar. Amar Rasilee. 19.
Badal (Cloud)Bhuwan K. C., Krishna Malla, Sharmila Malla, Bina Basnet. Krishna Malla. 19. Chahana (A Desire)Rajesh Hamal, Sunil Thapa, Karisma Manandhar, Santosh Panta, Saroj Khanal. Sheetal Nepal. Subodh Shreedhar.
Cheli (A Girl)Mausami Malla, Dhiren Shakya. Raju Dhowj Rana. Shradha Arts. Anil Shahi. 19. 94. Dakshina (Tribute)Bhuwan K. C., Niruta Singh (debut)Tulsi Ghimire. Ranjit Gazmer. 19. Dushman (Enemy)Kiran Pratap, Saroj Khanal, Mausami Malla, Rupa Rana.
Badri Adhikari. Nirmala Rana. Bhupendra Rayamajhi. Janma Janma (One Life to Another)Saroj Khanal, Dhiren Shahkya. Sheetal Nepal. Multi Track Movies.
Subh Bahadhur. 19. Jhajhalko (Remembrances)Shiv Shrestha, Gauri Malla, Kristi Mainali, Shree Krishna Shrestha (debut)Gagan Birahi. United Films. Sambhujeet Baskota.
Pahilo Prem (First Love)Chetan Karki. Sadak (Road)Rajesh Hamal, Saroj Khanal, Sunny Runiyar. Tirth Thapa. Prakssh Gurung. Subodh Shreedhar. Paribhasa (Definition)Rajesh Hamal, Saroj Khanal, Karishma Manandhar. Rajendra Shalabh. Subodh Shreedhar.
Prem Puja (Praising of Love)Dhiren Shakya. Raju Dhowj Rana. Sunsine Films. Anil Shahi. 19. 94. Prithvi (World)Rajesh Hamal, Srijana Basnet, Mausami Malla.
Prakash Sayami. Shiva Shakti Films. Shakti Ballav. 19. Pukar (Call)Saroj Khanal, Bina Basnet.
Mohan Niraula. 19. Rakchaya (Protection)Prem Baniya. Sannani (A Small Girl)Saroj Khanal. Narayan Puri. 19.
Saubhagye (Good Luck)Dhiren Shakya, Mausami Malla, Rupa Rana. Madhav Sapkota. Sangam Films. Chandra Thapa. 19. Sauta (2nd Wife)Bhuwan K. C., Karishma Manandhar, Bina Basnet.
Narayn Puri. Subodh Shreedhar. Shanti Deep (Light of Peace)Puran Joshi, Arjun Jung Shahi, Nabina Shrestha, Mithila Sharma. Royal Nepal Film Corporation. Laxminath Sharma. Nati Kaji, Shiv Shankar.
Mahadevi. Bhuwan K. C., Karishma Manandhar. Narayan Puri. Subodh Shreedhar. Swarga (Heaven)Shiva Shreshtha, Nir Shah,Arjun Shrestha, Gauri Malla. Sambhu Pradhan. Sambhujeet Baskota. Truck Driver. Shiv Shrestha, Karishma Manandhar, Bijay Lama.
Raj Kumar Sharma. Sambhujeet Baskota. Tuhuro (Orphan)Bhuwan K. C., Srijana Basnet, Mausami Malla, Dinesh D CSambhujeet Baskota.
Daju Bhai (Brothers)Bhuwan K. C., Shree Krishna Shrestha, Mausami Malla.
Banni Pradhan. Lady Bird Films. Shubh Bahadur. 19. Dharma (Religion)Amar Rasilee. Subodh Shreedhar. Jaali Rumal (The Knitted Handkerchief)Shree Krishna Shrestha, Melina Manandhar, Sudhamshu Joshi. Anish Koirala. 19. Janma Bhoomi (Motherland)Bipana Thapa (debut)Mohan Niraula.
Jeevan Sangharsha (Struggles of Life)Rajesh Hamal, Mithila Sharma. Subodh Shreedhar.
Jwala (Flame)Rajesh Hamal. Mukunda Bastakoti. Sila Bahadur Moktan.
Karja (Debt)Dhiren Shakya, Kristi Mainali, Ganesh Upreti. Kishore Rana. 19.
Maha Maya (Greatest Love)Shiv Shrestha, Saroj Khanal, Gauri Malla, Mithila Sharma. Prakash Thapa. 19. Mohani (Fatal Attraction)Ganesh Upreti, Bina Basnet, Saroj Khanal. Ramesh Budathoki. Sambhujeet Baskota. Subodh Shreedhar. Prem Pinda. Saroj Khanal, Sani Rauniyar (debut), Melina Manandhar, Neer Shah.
Yadav Kharel. Sambhujeet Baskota.