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Michael Jackson - Thriller (música para ouvir e letra da música com legenda)! This article contains the albums discography of the American pop artist Michael Jackson. It consists of ten studio albums and a partial list of live albums.
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- Thriller by Michael Jackson song meaning, lyric interpretation, video and chart position.
Michael Jackson’s “Thriller”: How an Iconic Music Video Was Made. OCTOBER 1. 3, 1. 98. EIGHT p. m. Downtown Los Angeles.
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On a chilly autumn night, gaffers rig motion- picture lights around the entrance to the Palace Theatre, which bears the title “Thriller” on its marquee. A cascade of shrieks—“Michael!
Michael!”—drifts on the breeze from a few blocks away, where hundreds of fans strain against police barricades for a glimpse of their idol. Although everyone involved in the production has been sworn to secrecy, word of tonight’s shoot has leaked and been broadcast on local radio. Security guards patrol the set. Michael Jackson, a shy pixie in a red leather jacket and jeans, stands in shadow in the theater’s entryway, talking with actress Ola Ray and director John Landis.
The camera crew is making final preparations for a crane shot that will pan down from the marquee as Jackson and Ray, playing a couple on a date, emerge from the theater. Judging from the saucy looks she is sending his way, Ray is clearly besotted by her leading man, who responds by casually throwing an arm around her shoulders.
MJXpressions proudly offers Celebrity Impersonators! See our Michael Jackson Impersonator options. MJX solo show - Suitable for all private and corporate events. Behind the scenes of Michael Jackson’s music video “Thriller,” the production of which revealed how damaged the young pop idol already was. Michael Joseph Jackson was born on August 29, 1958. He was the eighth of ten children in the Jackson family, a working-class African-American family living in a two.
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I am on set covering the shoot for Life magazine. Landis says that he needs a “ticket girl” in the background and orders me to sit in the booth—a prime spot from which to watch the performances.
Just before calling “Action,” Landis fortifies his actors with boisterous encouragement.“How are you going to be in this shot?” he shouts.“Wonderful,” Jackson chirps, barely audibly. Seconds later Jackson steps into his nimbus of light, and it is as if he flips on an internal switch: he smiles, he glows, he mesmerizes. Landis executes the long crane shot, then moves in for close- ups and dialogue. Landis gets the shot he wants and calls for the next setup, satisfied.
He whispers to me, “I bet it will be sexy.”The world certainly thought so, and apparently still does. The campy horror- fest with dancing zombies that is “Michael Jackson’s Thriller,” originally conceived as a 1. In January of this year it was designated a national treasure by the Library of Congress, the first music video to be inducted into the National Film Registry. Slide show: Michael Jackson in his own words.
Unlike forgotten favorites from MTV’s heyday (Duran Duran’s “Hungry Like the Wolf,” anyone?), “Thriller” is thriving on You. Tube, where one can view, along with the original, scores of “Thriller” dance tutorials and re- enactments by Bollywood actors and Bar Mitzvah celebrants. The dance has become an annual tribal ritual in major cities around the world, with initiates in ghoul makeup aping Michael’s moves en masse; the current record for largest dance of the undead is 1. Mexico City. A You.
Tube 4. 1- million- hit sensation features more than 1,5. Philippines prison yard executing the funky footwork as part of a rehab program designed to “turn dregs into human beings”; the prison, in the city of Cebu, has become a T- shirt- selling tourist attraction. None of this was imaginable back at the Palace Theatre 2. Jackson then was a na. He would spend the rest of his career trying to surpass it.
The video’s frenzied reception, whipped up by round- the- clock showings on MTV, would more than double album sales, driving Thriller into the record books as the No. LP of all time, a distinction it maintains today.
But, for anyone paying close attention during the making of the “Thriller” video—and Jackson’s collaborators were—the outlines of subsequent tragedies were already painfully visible. Read more about the King of Pop in VF. Michael Jackson archive. Jackson would dominate pop culture for the remainder of the decade, owning the 8.
Elvis had owned the 5. Beatles the 6. 0s. To rule the entertainment universe had been his dream since he belted out “I Want You Back” on The Ed Sullivan Show in 1. Jackson 5. Under the strict, physically and psychologically abusive tutelage of his father, Joseph, he had sacrificed his childhood to make money for the family and Motown Records.
He would later describe his boyhood as a blur of tour buses and tutors, and rehearsals that his father supervised with a belt in his hand, ready to whip any son who stepped out of line. Joe reserved especially harsh treatment for his most gifted and defiant son; although extremely sensitive by nature, Michael was also quietly stubborn and frequently clashed with his father. The brief moments Michael spent onstage were when he felt happiest. Ron Weisner, hired by Joe Jackson in ’7. Jacksons, recalls that on tour Michael—exhibiting the insomnia that plagued him throughout his life (and would be a factor in the drug overdose that killed him)—stayed up late after each show. He would watch tapes of James Brown and Jackie Wilson over and over until his brothers were screaming and cursing him and throwing things at the TV. The next day they would hide the tape, and Michael would be crying.
He would never, never, never stop.”Obsessive about tracking his sales figures, Jackson compared them constantly with those of Prince and Madonna. As he grew older he pulled away from his family to venture into solo projects, notably the 1. Off the Wall, which he layered with lush grooves and falsetto vocals with the help of producing partner Quincy Jones. The pair teamed up again three years later for Thriller.
This time Jackson’s aim was nothing less than a Beatles- like domination of the charts that would lay waste to the divisions between rock, soul, and pop. The strategy was to compile a succession of hit singles that would offer something for everyone: the first release was the ballad “The Girl Is Mine,” a duet with Paul Mc. Cartney. Second up was the funky anthem “Billie Jean.” Third was the rocker “Beat It,” which featured a blistering Eddie Van Halen guitar solo. Executives at Epic pushed the LP tirelessly, pressuring a range of radio formats to play it and marketing it as a mainstream disc. Most serendipitously, Jackson was the ideal video star. Not only did he radiate an epicene glamour that was at once innocent and intensely erotic, but he was also conceptually inventive, a great dancer, and a sartorial trendsetter. He judged the quality of what the fledgling rock network MTV was airing to be poor, and felt he could do better.
He hired the best directors and choreographers and applied everything he had soaked up from watching Gene Kelly and Astaire movies. In a black jacket and pink shirt he slid and spun his way down a surreal city street in the “Billie Jean” video—an electrifying, transformative performance. Although the song’s thumping bass line and synthesizers excluded it from MTV’s definition of a rock song, the network knew a hit when it saw one and put the clip into heavy rotation. The “Beat It” video was grittier, an homage to West Side Story, with Jackson strutting and spinning in a red- orange leather jacket in the midst of 2.
More than any other artist, Jackson ushered in the heyday of the music video, demonstrating its promotional power, raising the bar creatively, and paving the way for greater acceptance of black musicians on MTV. But the Thriller campaign, concocted by the album’s brain trust—Jackson; his lawyer and closest adviser, John Branca; CBS Records chief Walter Yetnikoff; and Epic head of promotion Frank Di. Leo—did not include plans for a third video, and certainly not a video of the title track, which wasn’t even going to be released as a single.
Billboard 2. 00 chart, was bumped from the top slot by the Flashdance soundtrack. It briefly regained the top position in July, then was toppled again, this time by Synchronicity, by the Police. The three remaining planned singles—“Wanna Be Startin’ Somethin’,” just released in May, “Human Nature,” scheduled for July, and “P. Y. T.” for September—were not expected to drive album sales as “Billie Jean” and “Beat It” had, nor were they suitable for videos.
Jackson was upset. Obsessive about tracking his sales figures, he compared them constantly with those of his competitors in the top echelon, including Prince and Madonna. He didn’t like it when it ended.” With his own album making history, Jackson yearned to shatter records held by the Fab Four.
Yetnikoff remembers Jackson saying. It was Di. Leo who first mentioned the idea of making a third video, and pressed Jackson to consider the album’s title track.
His father once put on a fright mask and crawled into Michael’s bedroom, screaming. In some ways “Thriller,” written by Rod Temperton, is the album’s sore thumb, a semi- novelty song with sound effects of creaking doors and eerie footsteps and bwah- ha- ha narration by Vincent Price.
Horror was a genre with which Jackson had an ambivalent relationship. As a child, he had known episodes of real- life terror. Michael’s biographer J. Randy Taraborrelli recounted that Joe Jackson had once put on a fright mask and crawled into Michael’s bedroom through a window at night, screaming; Joe Jackson said his purpose was to teach his son to keep the window closed when he slept.
For years afterward Michael suffered nightmares about being kidnapped from his room, and said that whenever he saw his father he felt nauseated. Jackson had reason to be fascinated by scary disguises and things that go bump in the night, but he didn’t want them to seem too real. His tastes generally ran to benign Disney- esque fantasies where people were nice and children were safe.
The star told Landis how much he had enjoyed the director’s horror spoof An American Werewolf in London. Would he be willing to direct Jackson in a music video with a spooky story line that had him transform into a werewolf?
At the time, making music videos was not something feature directors did. But Landis was intrigued enough by Jackson’s entreaty to take a meeting. On the afternoon of August 2. Landis and his producing partner, George Folsey Jr., drove through the gates of Hayvenhurst, the high- walled mock- Tudor estate in Encino where the family had moved when Jackson was 1.
La. Toya and Janet.
Thrill The World ? Please check Frequently Asked Questions and Event Managers’ Pages for more details.
What is Thrill The World? Thrill The World is friends, families and other local residents who each year join together with thousands of people around the globe to celebrate Michael Jackson’s talent by dancing simultaneously to “Thriller”! But TTW is more than just dancing to a 6 minute song. This is a global community project that is inspiring others to break down barriers, connect with people of all religions, race, political and economic persuasions, contribute to helping humanity, encourage environmental stewardship and encourage people to step up as leaders, visionaries, and creators. What does it look like? Take a look at 2. Gina Richmond! http: //www.
Events/daytime- events/Thrill- the- world- 2. Oakland/3. 30. 65.